In short, OS Screen feels it has the know-how and the product range to make as big an impression in Europe and South Africa as it has in the Far East. OS Screen’s ‘ sound mat’ is not only acoustically transparent but has been awarded an ECO mark by the notoriously difficult to please Japan Environment Association, thanks to its use of recycled material and its absence of vinyl chloride.Īnd where 3D is concerned (particularly the inherent dimness of 3D images), the company is ready with ‘ OS silver’, where a silver coating is applied to the surface of the screen to offer class-leading reflectivity. Some enthusiasts will require an THX certified acoustic transparent screen, of course, to allow speakers to be positioned behind it. Alternatively, something called ‘ pure mat II EX’ overcomes the need for a very bright source by reflecting as much light as is possible – its high-gain is claimed to deliver excellent black depth and contrast. There are the various configurations, of course: fixed screens, manual roll-up screens and motorised screens.īut the material of the screen itself is critical – for rooms where projector position is less than ideal, the company’s ‘ white mat’ screen offers the widest possible angle of reflection (though it demands a dark-ish room and a bright-ish projector). Those who feel it’s possible to get the best from their projector by simply nailing a sheet to the wall (and you know who you are) will be flabbergasted by the level of technological know-how OS Screen has brought to bear on its current line up. With its 2011 model range, OS Screen is planning to turn that situation around. There have been successes in that time – most notably in Germany – but the South African market has proven a tricky nut to crack. In the second half of 2010, Japanese giants Panasonic, Sony, Mitsubishi and JVC all demonstrated their latest projectors to consumers, retailers and distributors in Asia – and each company chose an OS Screen product to help make its projectors look their best.Īlthough OS was founded in 1953, and has enjoyed copious success in Japan (where it has 30% of the market share), Hong Kong (a healthy 50% plus) and Asia in general, its most recent attempt to make inroads into the European market began just four years ago. That’s emphatically not the case where projector manufacturers are concerned. Despite the burgeoning popularity of home cinema projectors, consumers don’t pay anything like as much attention to the screen they’re projecting onto as they do to all the other aspects of their home cinema system.
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